Ink, paper, and deadlines
I started in advertising and print — selling, designing, and producing ads for Best of the Beach, a San Diego direct-mail publication going head to head with Valpak and the Reader. Every ad was the same test: one shot to make someone stop, understand, and act.
From there I moved into art direction — corporate identity, brochures, newsletters, and sales collateral — on a press deadline, where a bad layout or a fuzzy message cost real money. That's where I learned hierarchy, restraint, and persuasion.





